I introduced the vst plug-in sound source of the "Mojo horn section", and made the swing jazz style remix of MELOR Attempt of expression of atmosphere like band as hobby that people who are semi-professional musicians organize （for instance, the one like performance of Boris Vian) was what I aimed through this mix Because owning and conducting the big band is one of my dream, this is wonderful sound source that artificially makes the dream an embodiment.
It overflowed with interest that did not bore me even for a moment. My impressions of this book is emptiness of discussion about a question of right or wrong of one's act that doesn't take "why did he or she do so?" into consideration. I thought that the emptiness that one felt it when one touched Internet discussion board and the variety show etc. might be this emptiness. Recently I tends to do selfish decision based on only the surface information to a large amount of information generated by emergence of the Net etc.This was a good medicine for such me.
----
来月12日、DE DE MOUSEのサポートDJをさせていただきます。アーティストさんのサポートは初めてなので緊張します。 前売り予約を受け付けていますので興味のある方はmixiまたはledakedakiz@gmail.com宛てに連絡を下さい。 (先着5名様分に限り500円offの1500円にさせていただきます。)
I made the remix of my tune MELOR by using VST free plug-in "Magical 8bit Plug" that Mr. Yokemura (who belongs to YMCK, which is wonderful chiptune group) had made. (MELOR Samples on myspace)
I feel their respects to jazz when Im listening to the music of YMCK.(Such a description is on wikipedia. ”YMCK has the element of swingjazz."However,If anything, I think the technique of the continuously single note expresses the chord progression is the technique of bebop.)
そのことがはっきり現れているのは"ジョン・コルトレーンは回転木馬の夢を見るか"だと思います
That clearly appears to "Does John Coltrane Dream of a Merry-go-round?".
この曲はジョンコルトレーンの代表曲Giant Stepsにインスパイアされて作ったと思われます。
I guess "Giant Steps" should have inspired in their production
The feature of this tune is Consecutive I - bIII7 - bIV chord progression. I think the experiment minds of them who make the song by using such beautiful chord progression (so called Coltrane change) that might cause vertigo are amazing
Though the surface is a progression from Major to Major, It changes from Major to minor on the tonality. I think this is the essence of I - bIII chord progression. I love it.
chip tune, I - bIII chord progression, the continuously single note expresses the chord progression,These reminds me of "そして伝説へ…" which is ending tune of Dragon Quest 3.
Though C-E♭ impressively used in first and last of the tune is moving obediently, In 2'16''-2'20'', Eb and F/Eb (this is, in other word, a structure of Major/minor!) that functions as adhesive of C and Cm is beauty of supremacy!
In the point of "the continuously single note expresses the chord progression", High-speed arpeggio (for instance 2'52''-3'01')' always leads me to the highest impression.
1 Melor aslAn+ elevate your mind mix フロアで気分を盛り上げるため制作したのでelevate your mindと命名しました。 2 Melor aslAn+ ordinary house deliverly mix これは私が昔どこかで聴いた懐かしいハウスのおぼろげな記憶を辿って発展させたものなのでordinary house deliverlyと命名しました。
1 Melor aslAn+ elevate your mind mix I named it "elevate your mind" because I had produced to uplift audience on the dance floor. 2 Melor aslAn+ ordinary house deliverly mix It is developed tune of the outline of house music to which I listened somewhere in old times. so I named it "ordinary houde deliverly".
The release is a little more ahead because it is a stage of the rough mix now.
----
先月SONiVOXから大量のソフト音源が発売されました。どれも安価なのとダウンロード販売なので購入意欲が刺激されます。 私はSYMPHONIC ENSEMBLE STRINGSを購入しました。ableton liveに付属のストリングス音源と同じ会社ですが、こちらの方が発音の細かい設定ができ、重宝しています。私はこれを今回の"Melor aslAn+ ordinary house deliverly mix"に使用しています。
A large amount of plug-in sound sources were put on the market from SONiVOX last month. The low prices and available by download stimulates my customers' interest. I bought SYMPHONIC ENSEMBLE STRINGS. Though it is the same company's sound source included in ableton live as the attachment, as for SYMPHONIC ENSEMBLE STRINGS, a detailed setting of the sound character is flexiblle.I am using it for "Melor elevation ordinary house deliverly mix".
----
先日EdBanger record所属のフランス人アーティスト、Breakbot氏本人から直接myspaceのフレンドリクエストをいただきました。訊いてみたところ、Van She - Kelly Breakbot remix (aslAn+ re-edit)をyoutubeで発見したことがきっかけになったとのことでした。 うれしいことに、彼は"it was pretty much awesome"という言葉まで下さいました。制作へのこの上ない励みになります。
The other day. There was personally a friend request on myspace from Mr. Breakbot himself. Apparently, having discovered Van She - Kelly Breakbot remix (aslAn+ re-edit)on youtube seems to have become a chance that he had given me the request. To my joy, he gave me word "it was pretty much awesome."It encourages my motivation of production very much.
| - | - | - |
デビューシングル曲をリリースしました/My debut single is available now
I released my debut single named MELOR. (sample on myspace) Thought its available only on monstar.fmnow, It schedules to become available on about 400 sites such as iTunes store and Amazon.com at next month. It is available for free now (for a week or so). Please check it.
| - | - | - |
私のデビューシングル曲 / My debut single
Oct 13 2009
My debut single
coming soon
| - | - | - |
期限切れ迫る / expires soon
Oct 04 2009
先日ダウンロードしたRealGuitar2Lのデモバージョンの使用期限がもうすぐ終了なので最後にMondo Grosso の Now You Know Betterをモチーフにした曲を作りました。
Because the expiration date for use of the demo version of RealGuitar2L is an end soon, As the last work, I made this tune of which the motif was Mondo Grosso - Now You Know Better.
Mondo Grosso - Now You Know Better aslAn+ re-edit naked (megaupload)
Now You Know Betterは大沢伸一さんが2ステップに傾倒していた頃の作品なのでリズムトラックにその進化したものとしてのダブスッテップのリズムが合うかもしれないと考え、ダブステップという音楽の区分が始まったと言われる初期から活躍しているアーティスト、Burialの作品piratesをベースにしたリズムトラックを加えた物も作りました。(別の言い方だと、私は"NOW YOU KNOW BETTER (Nitin Sawhney Remix)"の発展形を目指したと言えるかもしれません)
Now You Know Better is a work when Shinichi Osawa is devoting himself to 2step. So the idea that the rhythm of Dubstep as the one that 2step evolved might fit it occurred in my head, I also made a one that added the rhythm track which is based on "Pirates" which is the work of Burial who is probably one of the most famous artist after the musical division of "Dubstep" begins.(Saying in other words, I might be able to say that I just aimed at the appearance that "NOW YOU KNOW BETTER (Nitin Sawhney Remix)" evolved.)
Mondo Grosso - Now You Know Better aslAn+ re-edit (megaupload)
I have played lounge DJ a little while just making this. At that time, I played this (though that was unfinished) by way of experiment.I felt that a large volume did not show the change in a detailed sound easily compared with the volume usually.So I recognized again that I had to finish up the tune which is played in the club as club oriented mix.
| - | - | - |
party!!!
Sep 25 2009
最近一ヶ月ほどの写真です。色々なイベントに参加して本当に楽しかったです。 These are photographs of about one month recently. My participation in various events brought me considerable happiness!!
AUG.28 Return to the Groove vol.7@Delta Market AUG.29 Dj Cap69 & PoleDancer Robin@nude SEP.12 ADRENALINE+@nude SEP.19 refleshed!!@aji-cho Takamatsu Kagawa SEP.19 SPIRALCODE-85th.cord-elevenses@mikayla SEP 19 ADRENALINE+@nude SEP.21 HK -The second-@nude SEP.22 One Love in Kagawa@nude SEP.23 The Famous@nude
The other day, It becames a topic of DJ mix and tonality during the mail exchange between ストロボライト(who is my friend on mixi which is Japanese SNS) and me about my DJ movie I uploaded last time , so I want to describe that this time. When I make DJ mix to usually listen my favorite tune, or mash up mix, I value the tonality. It is because listening for a long time by all means becomes painful when there are a lot of impure sounds. The last time DJ movie is tied only by the tunes that have tonality of Am. I simply used the mix technique of the same key in the movie, when I make a work such as mashups,I feel the necessity of the concentration on a detailed part for monotonous mix evasion, so I do a careful mix with which the high-priority issue is a structural deliberation of the sound. As an example, I want to explain it by using the mashup that I made most recently.
このうち、構造を考えていく上で特徴的なところをひとつ挙げるとしたら2'55"から3'24"の部分です。 RaindropsとDisco Trash MusicのPut the Heatをマッシュアップしている部分です。 If I enumerate a feature part as a structural consideration example, it is a part of 2'55" to 3'24" Here is a mix part of "Raindrops" and "Disco Trash Music - Put the Heat"
Raindropsのヴォーカル部分のコードを表すとこうなると思います。 I think the chord progression of Raindrops vocal part is this.
基本的にD#ひとつのとてもシンプルな構造です。 そこで私はこれにブルースの要素を加えたくなり短3度、短7度に由来する音を含む曲と混ぜることを考え、Disco Trash Music の Put the Heatを選びました。Put the Heatのコードはベース以外の音程音が殆どないので無理矢理な表示になりますが、こうなると思います。 It is a very simple structure that has basically only one chord (D#). Then I come to want to add the blues feeling to this, so I thought about the mix of the tune to it including flatted 3rd and flatted 7th origin sound, then I chose "Disco Trash Music - Put the Heat". Though it might be unnatural display because there are little sound that has clear musical interval except the base sound, the chords is the following.
俯瞰してなじんだひとつの和音として見ると最終的にこうなります。 It finally becomes this when it is overlooked as one harmony
A#m7(11) - C#add9(#11)(13) - F#maj7(13) - D#
響きとしては多くのテンションを抱えた非常にジャズ的な物へと変化します。 これをD#をルートIとした調性上の機能で表すとこうなります。 It changes into a very jazzy sound that hold a lot of tensions. Substitution of the tonality function of D as I(root) is the following
Harmony such as #VI (bVII) and #II (bIII) is a code that Beatles (especially, John Lennon) was using well, so I (who loves Beatles)like such sound.(Among these, it seems he love bVII especially. For instance, This harmony is included in all tunes of which John took charge in Beatles album "Help!" which is as follows.)
The Beatlrs "Help!" 01-Help! 03-You've Got To Hide Your Love Away 06-You're Going To Lose That Girl 07-Ticket To Ride 09-It's Only Love
しかしながらこういった響きは調性がめまぐるしく変わるので落ち着かず、不快と感じる方も多いかもしれません。 But because such a sound like this has much tonality changes bewilderingly, revolting might be also more abundant for some people.
長々と調性について書いてきましたが、実際のところ、クラブの爆音ではミックス時の音程などは殆ど気にならないので、このやり方は家で普段聴く用のmix、ひとつの曲として仕上げるマッシュアップの時にしか使いません。 Though I have lengthily spelt tonality, as a practical matter, In the roaring of the club, the musical interval of the mix hardly notices, so I use such a way only when I make DJ mix to usually listen my favorite tune, or a work such as mashups mix.
My persistence in my favorite DJ tools means the impossibility of my performance when it cannot be brought in to the club, so I am practicing by a simple DJ set. This is my CDJ set that I bought five years ago. I bought cheapest this set in a certain net shop. To my regret, this mixer has only two EQ of high and low. When I bought this, I hardly had DJ's knowledge, I couldn't understand the inconvenience of this. Im satisfied with CDJ that does an enough working.However, for the mixer, because it is a little inconvenient, I think about the purchase of the new one that has three bands EQ.
Ivan Lins - Daquilo Que Eu Sei aslAn+ re-edit を修正してアップロードしました。 弦のミュートテクニック(音を止めることで間をつくる技術)を覚えました。 弦のミュートは実際にギターを弾く時も、とても重要な技術だと感じます。 静寂は音楽にとってなくてはならない要素だと思うからです。 音が鳴っていることは音が鳴らない瞬間を伴ってのみ際立つと私は考えます。 のべつ幕なしの速弾きの演奏は爽快ですが、過剰なことがもたらす各音たちの意味の希薄化によって平坦に聴こえがちにもなります。 演奏中にとても良い"間"をつくりだすビルエヴァンスが"間"を生かす芸術である書道に興味を持っていたことはとても示唆的だと思います。
I corrected and reup-loaded Ivan Lins - Daquilo Que Eu Sei aslAn+ re-edit. I learnt the strings-mute technique (Silence creation by muffling strings). When I actually play the guitar, I feel this is a very important technique. Because I think silence is inevitable element for music. I think that only a sound accompanied by a silence is conspicuous. Though the performance of incessant is pleasant, such a performance tends to sound flat because of dilution of meaning of each sound that originates excessively. I think it is extremely suggestive that Bill Evans (who always creates "a good space" while playing) was being interested in calligraphy that is an art that makes the best use of the space.
![素材満載 ブログで作る かんたんホームページ [CD-ROM付き]](http://ecx.images-amazon.com/images/I/61XF13WMY1L._SL160_.jpg)
